Which scholar argues that invention uses Homeric reminiscence but the final product is distinctly Virgil's own?

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Multiple Choice

Which scholar argues that invention uses Homeric reminiscence but the final product is distinctly Virgil's own?

Explanation:
The main idea here is how Virgil handles the epic tradition: he draws on Homeric material while shaping a distinctly Virgilian creation. Camps is the scholar who argues that invention in Virgil’s work relies on reminiscence of Homer, using that inherited epic framework as a foundation, but the final form, voice, and purpose are uniquely Virgil’s. This view highlights a balance between imitation and innovation: Virgil reworks Homeric patterns, episodes, and tones to serve Roman ideals, turning what could be seen as mere tribute into a new, original epic sculpture. That combination—Homeric influence guiding the structure and atmosphere, with Virgilian originality delivering the final product—best explains how the Aeneid stands as both part of the epic tradition and a distinctly Roman work. Other scholars may emphasize different aspects of influence or originality, but Camps specifically foregrounds this productive tension between reminiscence and invention as Virgil’s method.

The main idea here is how Virgil handles the epic tradition: he draws on Homeric material while shaping a distinctly Virgilian creation. Camps is the scholar who argues that invention in Virgil’s work relies on reminiscence of Homer, using that inherited epic framework as a foundation, but the final form, voice, and purpose are uniquely Virgil’s. This view highlights a balance between imitation and innovation: Virgil reworks Homeric patterns, episodes, and tones to serve Roman ideals, turning what could be seen as mere tribute into a new, original epic sculpture. That combination—Homeric influence guiding the structure and atmosphere, with Virgilian originality delivering the final product—best explains how the Aeneid stands as both part of the epic tradition and a distinctly Roman work. Other scholars may emphasize different aspects of influence or originality, but Camps specifically foregrounds this productive tension between reminiscence and invention as Virgil’s method.

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